Spike Spiegel (
gottaknockhard) wrote in
paradisa2013-02-22 10:44 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
63; dictated/action
( outside room 213 / aka Vicious' )
[Spike used to hate this time of year. He still does, honestly, but for the first time it managed to go over and beyond his general annoyance at forcing fake-romance in his face (which never ends well for him by any means). This time someone figured out a way to make it personal. And what's worse, is how easily Spike let them.
It was a ballsy move, but one that he should have seen coming, which makes him wonder if he'd set himself up for some purpose he's yet to digest. Of course the only thing he had left that held any value to him would be stolen. That's always been the trouble with having something to lose; which the castle seemed to be all too generous to supply. Except now the castle isn't the only one behind the scenes.
Spike has been noticeably quiet on the whole matter. Beyond his initial reaction in the woods, he hasn't acted on it the way he may have in the past -- guns blazing, daring whatever fate had in store to finish what it started -- all that impulsive macho bullshit he's famous for. For once, he took the time to get his ducks in a row. Confirm his suspicions before making a move. Once he has the whole sordid story, ironically with the help of the castle, he goes right to the source.
So on this particular night, he stops by a door he rarely visits, wearing an over-sized trench coat and carrying with him a modest bouquet of roses. A little late for the holiday, but with so few memories to go on, roses seems to be an appropriate reference.
Attached is a simple note, about as subtle as he ever is:]
Bang.
[He leaves it by the door and walks away.]
---
[Once he's finished with his delivery, Spike doesn't linger, half expecting to be stopped before he reaches the lobby. (He's ready, if he is. His gun is seconds from being drawn in case he doesn't make it out the door.) When it seems he'll be allowed to exit without incident, however, he takes out a cigarette. -- Stepping outside for a smoke is as much cover as he ever needs around here.
Outside, Spike takes a look back at the castle. He spends a few moments walking around and counting windows, before he brings out a gun and takes two perfectly aimed shots to break through the glass leading into a certain resident's room. Call him impatient.
And since he does have some indeterminate amount of time to kill, he pulls out the journal (with all the too-conveniently broken filters). Just in case something interesting pops up.]
I'm surprised it took this long to find the flaw in magic books. I guess you live and learn.
ooc: open to everything as always -- and feel free to hear gunshots, it's that kind of night
[Spike used to hate this time of year. He still does, honestly, but for the first time it managed to go over and beyond his general annoyance at forcing fake-romance in his face (which never ends well for him by any means). This time someone figured out a way to make it personal. And what's worse, is how easily Spike let them.
It was a ballsy move, but one that he should have seen coming, which makes him wonder if he'd set himself up for some purpose he's yet to digest. Of course the only thing he had left that held any value to him would be stolen. That's always been the trouble with having something to lose; which the castle seemed to be all too generous to supply. Except now the castle isn't the only one behind the scenes.
Spike has been noticeably quiet on the whole matter. Beyond his initial reaction in the woods, he hasn't acted on it the way he may have in the past -- guns blazing, daring whatever fate had in store to finish what it started -- all that impulsive macho bullshit he's famous for. For once, he took the time to get his ducks in a row. Confirm his suspicions before making a move. Once he has the whole sordid story, ironically with the help of the castle, he goes right to the source.
So on this particular night, he stops by a door he rarely visits, wearing an over-sized trench coat and carrying with him a modest bouquet of roses. A little late for the holiday, but with so few memories to go on, roses seems to be an appropriate reference.
Attached is a simple note, about as subtle as he ever is:]
Bang.
[He leaves it by the door and walks away.]
---
[Once he's finished with his delivery, Spike doesn't linger, half expecting to be stopped before he reaches the lobby. (He's ready, if he is. His gun is seconds from being drawn in case he doesn't make it out the door.) When it seems he'll be allowed to exit without incident, however, he takes out a cigarette. -- Stepping outside for a smoke is as much cover as he ever needs around here.
Outside, Spike takes a look back at the castle. He spends a few moments walking around and counting windows, before he brings out a gun and takes two perfectly aimed shots to break through the glass leading into a certain resident's room. Call him impatient.
And since he does have some indeterminate amount of time to kill, he pulls out the journal (with all the too-conveniently broken filters). Just in case something interesting pops up.]
I'm surprised it took this long to find the flaw in magic books. I guess you live and learn.
ooc: open to everything as always -- and feel free to hear gunshots, it's that kind of night
Action
At which point, all remaining ambiguity vanishes. He heads out, flowers in one hand and the gun in the other, down the stairs and out through the lobby, eyes immediately scanning his surroundings for a familiar figure]
no subject
He stays still, holding onto his temper as he waits for an opening. Or for Vicious to start talking. For once, he's curious what the hell he has to say.]
no subject
There are easier ways to get my attention.
no subject
Smiling, like this is all replay of a joke from their youth.]
I could say the same to you.
no subject
I wasn't aware I was trying to get it.
no subject
I guess you just got lucky.
no subject
[Because they're either going to fight, or they're not. He doesn't care either way,although Spike is doing a good job to rile him out of his current apathy on that subject]
no subject
You need to take a better handle of your subordinates, or they might get you into trouble.
no subject
I'll take that under advisement.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Dictated
What the hell are you doing, Spike?
Dictated
The journal's broken. [As if that answers her question.]
Dictated forever!
no subject
Fits with everything else around here.
Filtered to Idiot Lunkhead
Will you just tell me what's going on?
[ Broken ] Filter
I let the dog loose. You might want to keep an eye out for him.
[ Broken ] Filter
[ Broken ] Filter
[ Broken ] Filter
[ Broken ] Filter
dictated;
It's certainly causing a lot of trouble already. I'd hope no one would take this accident as a trigger to do anything rash!
Sounds like emotions are running high.
dictated;
I'd imagine a few people have reason to be pissed about it.
no subject
It's natural that people are hurt by a breach of privacy. Luckily, I don't keep too many secrets, myself!
Don't you think this might be something we can just ride out? Just a matter of time, isn't it?
no subject
A lot of people say that.
no subject
Does that surprise you, really? Lose the opportunity to choose how things go often enough and I think you get complacent!
Not one to go with the flow?
no subject
I'm normally one of them. Everyone has an off day.
no subject
I thought you sounded a bit wayward this evening, mon ami.
You know, I'm not one to pry too much, so I'm not going to ask if you're in trouble. [The implied question here being, of course, "Are you in trouble?"]
no subject
Wayward, huh? [Perceptive word.] I guess that can be expected.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)