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THE LEWIS AND CLARK - DAY THREE
[As you've heard over the journals, your friends on the Even Horizon are facing a lot of trouble right now, and need to get the heck to safety. Of course, you're still running on a smattering of half-solved answers.
Have you got the power on yet? You might want to be sure you get right on that]
[[OOC: AROUND THE SHIP | THE CONTROL ROOM | A MESSAGE | DAY THREE OOC POST | PLOT CHAT | PLOT HUB]]
Have you got the power on yet? You might want to be sure you get right on that]
[[OOC: AROUND THE SHIP | THE CONTROL ROOM | A MESSAGE | DAY THREE OOC POST | PLOT CHAT | PLOT HUB]]

AROUND THE SHIP
You're their only hope guys. Their. Only. Hope]
Re: AROUND THE SHIP
[Katniss got there as quickly as possible after Dairine's message, and as soon as someone pointed her in a direction, she had a tool and started to work on the ship. She didn't have much but muscle and wit at this point to offer, but she'd do what she could.]
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threadjack ok?
Always!
Re: Always!
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because I can remember to refresh durrr
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When he's not lingering near the exit that connects to the other ship, staring at it like that will solve all their problems. ]
Re: AROUND THE SHIP
Anyone not in the control room and able bodied, help me, please. I want these doors open and now would be good. Control room, any information that can help us in this, if you'd be so kind to relay it down.
[[ooc: moved to correct section, apologies! loooong day.]]
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Dictated via journal
Dictated via journal
Dictated via journal
Dictated via journal
Dictated via journal
Dictated via journal
Dictated via journal
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Dictated
/threadjacks
Re: /threadjacks
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So he paced the halls near the connector like a restless tiger instead, knowing that wasn't going to help, but not knowing what else he could do.]
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THE CONTROL ROOM
One screen in particular seems to have rebooted something sent from the Event Horizon. They are the captains logs of the original crew. They start off as soon as the ship takes off, a full crew of smiling, exited people ready to revolutionize space travel. Nothing off at all seems about it.
There are a lot of entries to comb through. Best get to it]
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Once the ship's power is restored, Dairine heads straight for the computer screens. There must be something she can use or reprogram to get that door open. But then she notices the video log.]
Huh. That's new.
[Well, since it's Event Horizon files, she starts skimming through it. Maybe it'll drop something useful.]
Spaaaaaaaaaaaace buddies...
Beeeest buddies...
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Re: Beeeest buddies...
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Hm. Too bad we can't make copies and divide them. It would go faster.
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She'll be reading the reports on the screens as thoroughly as she can, a bit pale of face, but looking fine otherwise.]
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He enters the control room, glad that the gravity was back on. There's still blood from the cut he'd gotten the day before caked on his face, but he doesn't seem to notice]
Anything new? Any clues as to how in the hell to help them?
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/threadjack?
of course!
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Here's hoping she can find something of use.]
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THE FINAL LOG
"I stashed the explosives around the Horizon. It's the only way to get the damned doors open. She won't let them free. She'll take them to hell. They won't even fight it. They're not interested."
Static fills the screen for a moment, and the screaming is louder, followed by banging. Harris gives a frustrated groan and smacks the camera with his good arm, clearing it up.
"If any of you are still alive, you've to blow the doors apart. The ship's hull is designed to take it. Make sure you've got a damn suit on, unless you've decided you want to end it all. I don't fucking blame you if you do."
He stares into the screen, no joy left in him any more. He doesn't seem to be a guy who could burn a burrito in a microwave.
"However you end it. Don't let her win. Don't let her drag you into hell with the rest of them. Don't-"
A loud CRASH occurs offscreen. Harris turns, to be tackled to the ground by someone else, covered in blood and barely recognisable as human. The figure drops to the ground on top of Harris, out of view of the camera. But his screams are heard. Terrified, bloodcurdling screams.
When they stop. The figure stands. It's the woman, Sylvia. She raises her hand, stained with blood, looking at it curiously for a moment, before turning to the camera.
"Liberate tutame ex inferis."
And then the video dies. No others follow it]
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... That's... wonderful.
[ He did the sarcasm right, didn't he. ]
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So that's it? Explosives? That's our golden ticket in?
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He sees, or rather hears this feed from the control room's entrance, then snorts. ]
I suggested explosives already, but you people seem to think tip-toeing around is the best solution. So...when you're done with your ballet, can we go blow up some doors?
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[There had better be a suit in her size, is all she's thinking.]
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That's...]
God damn.
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I have experience with explosives. I can help detonate them. Let's find these suits and get started. The sooner we get in, the sooner we can get out of this hell.
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Adam > Phoebe > M?
Sounds good
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Where are those suits he mentioned?
[Her voice is low, but it is firm.]
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So that's it.
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Re: THE FINAL LOG
That's cruel. [ He doesn't know much about explosives, so he can't help on that front, but at least they've got a way out. ]
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sorry about the delay! (major) technical difficulties.
No worries!
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