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two.
The number of books available in the library is astounding. If not for the lack of comfortable bedding, I think I should be content to live there permanently.
I've started with books of philosophy; the selection is wide and many of the writers, unknown to me. They do present a curious problem, however, since most of them come from unfamiliar cultures.
A great number expect familiarity with a figure called Jesus Christ, which has stymied me for the moment. From what I've been able to gather, he was the central martyr or pacifist god of a mystery cult (perhaps both?). It seems a remarkably well-traveled one, which makes it all the more intriguing.
Reading with that assumption in mind is enough to make sense of the text. It's clear, however, that a deeper familiarity with the cult's theological tenets is required to fully appreciate the writers' arguments.
If anyone reading this is better acquainted with "Christianity," any recommendations for introductory readings would be appreciated. Its holy texts are rather long, and thus far, they offer little in the way of context.
[And if you're interested in bugging him, Gideon can be found in the library. He's sitting a table stacked high with books and sheets of paper, on which he's taking careful notes with pen and ink.Someday we've gotta introduce this boy to ballpoint pens. Among the open books are an atlas open to a map of the Mediterranean, several books of philosophy, a King James Bible, and his wax tablet (just in case).]
I've started with books of philosophy; the selection is wide and many of the writers, unknown to me. They do present a curious problem, however, since most of them come from unfamiliar cultures.
A great number expect familiarity with a figure called Jesus Christ, which has stymied me for the moment. From what I've been able to gather, he was the central martyr or pacifist god of a mystery cult (perhaps both?). It seems a remarkably well-traveled one, which makes it all the more intriguing.
Reading with that assumption in mind is enough to make sense of the text. It's clear, however, that a deeper familiarity with the cult's theological tenets is required to fully appreciate the writers' arguments.
If anyone reading this is better acquainted with "Christianity," any recommendations for introductory readings would be appreciated. Its holy texts are rather long, and thus far, they offer little in the way of context.
[And if you're interested in bugging him, Gideon can be found in the library. He's sitting a table stacked high with books and sheets of paper, on which he's taking careful notes with pen and ink.
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[He pauses, wondering whether it would be better to explain himself more fully. After some consideration, he supposes he must--at least a little--if he's to expect answers in return.]
Are you dead, madonna?
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I should hope not.
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And after you die, do you expect you will find yourself in Cair Paradisa?
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That I should not be walking and writing among the living - I had never before considered what the existence of a fantôme might be like, but now I believe I can guess.
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It makes one wonder if there is redemption still after life.
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If one thinks of Paradisa as an intermediate point - rather like staying at an inn on the way to a city - then perhaps.
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I could read you Aquinas.
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Are you fond of reading aloud?
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My name is Gideon Thraxios.
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I have few obligations here - at your leisure, we can read.
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[ Though not so near, but she's not the most considerate. ]
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((OOC: Shall we action-spam it?))
absolutely!
He would be greeted by a plain maid when he arrives and asked to wait in a sitting room with many and mismatched couches. There would be flowers in a vase nearby. Madonna lilies. ]
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He awaits Lucrezia on one of the sofas, considering the room's design in a vague, detached sort of way.]
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She is seated on the floor among many pillows, playing with the feathery end of a pen to tease a calico kitten. If she notices the door opening, she doesn't seem to show it. ]
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He pauses a few steps away from Lucrezia to write out a message in his tablet, in particularly careful handwriting. He's willing to give this a try since he's here--even if the prospect is less appealing now that they're in the same room--and he'd like to make a good impression.
Well. As good an impression as a tongueless man of forty-five might.]
Good afternoon, Lucrezia.
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Gideon Thraxios. Did I say it right?
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