Theresa "Tess" Servopoulos (
dog_eat_dog) wrote in
paradisa2013-08-26 04:49 pm
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Entry tags:
First Shot
[Everything changes with the bat of an eye.
While she registers the change immediately, it takes a moment to truly sink in. Tess finds herself in what could only be a dream –– she hasn't seen a bedroom so immaculate and new and utterly inviting outside of old magazines in decades, and she's certainly never slept in one. She's never even stayed in a hotel this nice, never had her own place with such crisp, perfect white linens. The very act of being in a well-kept bedroom is jarring and discomforting and panic-inducing.
The only thing that keeps her from outright panicking is the fact that she still has her handgun in her hands, her arms outstretched to point it at some invisible intruders, her finger laid against the side of the gun, ready to move to the trigger at a heartbeat's notice––
Seconds ago, there had been bullets, and Joel and Ellie's retreating footsteps––
There's an assortment of things on the dresser, a hairbrush that had likely never even approached anyone's scalp, a comb with all its teeth, a jewelry box that looks freshly polished––
There had been a throbbing in her chest and collarbone and neck, and––
No, no, the throbbing is still there, the collar of her shirt half-stuck to the mess that is her throat, and Tess could (and can) feel it almost thrumming under her skin, almost moving––
Tess backs up into a wall, her support hand leaving the base of the gun in favour of splaying against the immaculate paint. Purple. The walls are rich, warm purple, without so much as a hairline crack, and Tess is pressing the grime of her skin and clothes against it. She feels like she needs to apologize, even when there is no one around to apologize to.
She's alone here, almost. Alone as any host is.
She's not sure if she can "feel" the infection crawling under her skin because she knows it's working its way towards her brain so that it might kill her, or if there really are cordyceps tendrils spawning in her veins, winding through her muscle tissue and up her neck to her skull. Have they reached her brain yet? Will it hurt when they do?
Of course it's going to hurt, she tells herself, almost angrily. But Joel and Ellie are gone, and oh thank god, Joel is gone, Joel doesn't have to see this, and there are no soldiers to shoot her like a fucking rabid dog, and it's just her and the gun and this immaculate not-quite-afterlife hotel room.
It was easy to maintain her composure when she had work to do and Joel to protect –– she couldn't let him see her die or turn or suffer, she had her pride and her obligations to her goddamn partner –– but now she's alone and she is going to become a monster if she doesn't put herself out of her own misery.
Tess fits the barrel of the gun to her chin.
Don't be such a fucking coward, Tess.
She pulls it away, takes a hard breath, and closes her eyes for a beat.
It's only been a few hours. You've got hours. Maybe twelve hours, or twenty-four, or maybe even forty-eight––
When she opens her eyes, they settle immediately on the window across from "her" bedroom wall. More importantly, they settle on what appears to be a distant city basking under a summer sun, and for an instant she thinks of being a teenager again, when she dreamed of backpacking across Europe. There were lots of pictures of little French cities all over the Internet, back then, cities that could still feel like quaint little towns despite their sprawl.
For a moment, she just stares in silence, and then she says:]
Couldn't pick a nicer fucking place to die, huh...
While she registers the change immediately, it takes a moment to truly sink in. Tess finds herself in what could only be a dream –– she hasn't seen a bedroom so immaculate and new and utterly inviting outside of old magazines in decades, and she's certainly never slept in one. She's never even stayed in a hotel this nice, never had her own place with such crisp, perfect white linens. The very act of being in a well-kept bedroom is jarring and discomforting and panic-inducing.
The only thing that keeps her from outright panicking is the fact that she still has her handgun in her hands, her arms outstretched to point it at some invisible intruders, her finger laid against the side of the gun, ready to move to the trigger at a heartbeat's notice––
Seconds ago, there had been bullets, and Joel and Ellie's retreating footsteps––
There's an assortment of things on the dresser, a hairbrush that had likely never even approached anyone's scalp, a comb with all its teeth, a jewelry box that looks freshly polished––
There had been a throbbing in her chest and collarbone and neck, and––
No, no, the throbbing is still there, the collar of her shirt half-stuck to the mess that is her throat, and Tess could (and can) feel it almost thrumming under her skin, almost moving––
Tess backs up into a wall, her support hand leaving the base of the gun in favour of splaying against the immaculate paint. Purple. The walls are rich, warm purple, without so much as a hairline crack, and Tess is pressing the grime of her skin and clothes against it. She feels like she needs to apologize, even when there is no one around to apologize to.
She's alone here, almost. Alone as any host is.
She's not sure if she can "feel" the infection crawling under her skin because she knows it's working its way towards her brain so that it might kill her, or if there really are cordyceps tendrils spawning in her veins, winding through her muscle tissue and up her neck to her skull. Have they reached her brain yet? Will it hurt when they do?
Of course it's going to hurt, she tells herself, almost angrily. But Joel and Ellie are gone, and oh thank god, Joel is gone, Joel doesn't have to see this, and there are no soldiers to shoot her like a fucking rabid dog, and it's just her and the gun and this immaculate not-quite-afterlife hotel room.
It was easy to maintain her composure when she had work to do and Joel to protect –– she couldn't let him see her die or turn or suffer, she had her pride and her obligations to her goddamn partner –– but now she's alone and she is going to become a monster if she doesn't put herself out of her own misery.
Tess fits the barrel of the gun to her chin.
Don't be such a fucking coward, Tess.
She pulls it away, takes a hard breath, and closes her eyes for a beat.
It's only been a few hours. You've got hours. Maybe twelve hours, or twenty-four, or maybe even forty-eight––
When she opens her eyes, they settle immediately on the window across from "her" bedroom wall. More importantly, they settle on what appears to be a distant city basking under a summer sun, and for an instant she thinks of being a teenager again, when she dreamed of backpacking across Europe. There were lots of pictures of little French cities all over the Internet, back then, cities that could still feel like quaint little towns despite their sprawl.
For a moment, she just stares in silence, and then she says:]
Couldn't pick a nicer fucking place to die, huh...
no subject
Calm the fuck down, and don't you dare draw a weapon in the middle of this place, you don't know who you might hit. You just woke up in the middle of a castle and met me through a magic talking book. You really think it's that much more far fetched that I might not know what the hell it is you're talking about?
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Now.
[Her hand is on the grip of her gun, ready to draw.]
What the fuck infected you with that bite, and how did you cure it?
no subject
[ His eyes cut pointedly to her hand. ]
I'll answer whatever you want, but I'm not gonna do that until your hand is off that.
no subject
But after a moment, she removes her hand, though she stays standing.]
Fine.
Talk.
no subject
Woman named Martel healed me. I can't say I know exactly how she did it, but she did.
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Who is "us?" If I didn't make it perfectly crystal clear, I don't exactly have time to beat around the bush.
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[She can't help but feel worked up with all this shit, and she starts to pace. It's a whole lot of nervous energy wound up under her fight instinct, making her feel pressured, ready to burst.]
When I say dead, I mean I'm going to put a gun in my mouth so I don't become a fucking monster. Does this place give a shit about that, or does "fine" include a blown-out skull? Answer that, asshole.
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[ She's worked up, and her nervous energy is making his hackles rise, his lips drawn back into a defensive scowl. Their sheer existence here is too much to believe, sometimes, and he gets that -- but the last thing Clementine needs is another death in earshot. ]
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Do you seriously think I want to make my own death a public spectacle? Or crazier, that I'm gonna buy that death isn't the end of it?
Besides... any kid still upset about the choices people make about their own lives are far too sheltered to survive in this age anyway.
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You'll figure it out yourself. [ Sharply. ] And do yourself a favor: don't make assumptions about people you know nothing about. That little girl's been through more than anyone ever should, and held it together better than-
[ He cuts himself off with an irritated sound. ]
Enjoy your drink. If you take a bullet to the head-- soundproof the door. And when you're awake again, and ready to listen, my name's Lee. I'm not hard to find.
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The thought of putting a bullet in his brain floats up in her mind, and she's sure there would be few consequences. After all, she'll be checking out soon, and life isn't precious in a society facing extinction in the next few generations. What would be the point of valuing something so fragile?
But he has a little girl.
Fuck it.
She looks away for a moment, and then back to him.]
Tess. Thanks for the drink.
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I'll see you around.
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She needs courage for what she plans to do next, after all.]