Entry tags:
065. Coda
[In the cabin, Brock and Molotov have been having a heated argument. As heated as an argument can be when it's completely silent, anyway. Gesturing wildly, choking gestures in the air, and a lot of pointing.
Finally, Brock manages to get her to understand he wants her to check on his car. It's important to make sure the Charger is safe, that the garage is secure; if worst comes to worst, they can pile in as many people as they can and make a quick getaway. Once she storms off to do as he asks (he's pretty sure she's going to scratch the paint deliberately but that's okay), Brock snaps open the journal and writes.]
[Like everything else lately, the following is written. Printed, actually; he's trying to make this as legible as possible so it can reach even little kids or people who aren't too literate.]
This is Brock. If you still need somewhere to stay, somewhere safe, I have a cabin southwest of the castle, off the main road. We can all take turns keeping watch, at least until we figure out wh
[The pen jerks to the side, leaving a jagged line and an ink smear.
There's the sound of... something... for about a half minute, sounds of violence. Blows landing, furniture being broken.
Then there's nothing.

And then the door slams. Hurried footsteps, stiletto heels on hard wood. The sound of something hitting the ground hard.
The pen touches the page again, the handwriting different than Brock's. A shaky, quick scrawl.

After, the sound of things breaking -- dishes, glass; fragile things that make noise when they break. Someone trying desperately to get the attention of someone. Anyone.]
Finally, Brock manages to get her to understand he wants her to check on his car. It's important to make sure the Charger is safe, that the garage is secure; if worst comes to worst, they can pile in as many people as they can and make a quick getaway. Once she storms off to do as he asks (he's pretty sure she's going to scratch the paint deliberately but that's okay), Brock snaps open the journal and writes.]
[Like everything else lately, the following is written. Printed, actually; he's trying to make this as legible as possible so it can reach even little kids or people who aren't too literate.]
This is Brock. If you still need somewhere to stay, somewhere safe, I have a cabin southwest of the castle, off the main road. We can all take turns keeping watch, at least until we figure out wh
[The pen jerks to the side, leaving a jagged line and an ink smear.
There's the sound of... something... for about a half minute, sounds of violence. Blows landing, furniture being broken.
Then there's nothing.

And then the door slams. Hurried footsteps, stiletto heels on hard wood. The sound of something hitting the ground hard.
The pen touches the page again, the handwriting different than Brock's. A shaky, quick scrawl.

After, the sound of things breaking -- dishes, glass; fragile things that make noise when they break. Someone trying desperately to get the attention of someone. Anyone.]
no subject
While everyone is swarming Brock's body, something that Vereesa decidedly does not want to see, she's looming over the humanoids in straitjackets, kicking one over with her foot to expose its face so she can get a better look at it.
She kneels beside it, and starts feeling around for anything that could give them more information.]
no subject
For all his bluster, he knows what he isn't good at, and moral support to a stranger is one. The extra people provide the distance he needs to get information without interrupting grief.
He hovers behind Vereesa, hands in his pockets, a smidge too close, ostensibly waiting his turn. But at a scene like this, every bit of information is useful. He waits, and he observes.]
no subject
Inhaling a deep breath, she wipes an eye with the back of her wrist and stands up, gesturing for Sherlock to take a better look as she clearly needs to pull herself together first.]
no subject
The voicelessness, maybe, taking away his edge.
He inclines his head, barely a nod, and sweeps his coat behind him so he can crouch. He examines the body carefully, methodically, years of practice behind where he looks and why.]
no subject
It's how he knows exactly what he's looking for that intrigues her, and Vereesa leans forward with interest. She watches and waits to see if he can find anything, even the smallest of clues.]
no subject
He works his jaw, wanting to speak and having to constantly remind himself that he can't. Eventually he stops what he's doing entirely and flips a notebook onto the floor beside him. He writes, an overflowing of data and small details, everything he's observed in the last few moments.
Not very much of it is helpful.]
no subject
She would kick the body of the minion of Sherlock wasn't still beside it.]
no subject
He doesn't go immediately, though, not with the swarm of people. The crime scene is beyond contaminated now, anyway.
This is the problem he has with friends and family on a crime scene. Grief lingers, and he often doesn't have the patience to work delicately around it.]