hard_talker (
hard_talker) wrote in
paradisa2012-08-20 10:12 pm
Entry tags:
103.3 - burn it to the ground tonight
[tonight’s broadcast doesn’t come crackling over the radio, as they have since January … no, this one comes straight out of the pages of the journals … and through the windows, if anyone’s rooms are close enough to the front lawn. since dusk, Mark’s been studiously dragging folding tables out onto the main lawn, assisted by Nora, running extension cords out the front doors from the lobby …. and now he’s finally got his DJ station set up properly, outside, in the courtyard. the object of interest, however, isn’t the pair of tables covered in stereo equipment and cassettes and CDs and vinyl … it’s the giant papier-mache object d’art that Nora’s putting the finishing touches on.
Nora’s skirts swish around her legs as she skips around the 7 foot tall scale model of the castle they’d built out of busted furniture and papier-mache. She pauses in her circling to regard it with a measured eye. She’d painted it stone gray with the stonework accented in places along the walls. The most glaring addition to the outside of the structure, however, are the names. Nora had carefully written every name of a resident she’d seen announced in the journal as missing from the castle. They cover every inch of the walls in varying colors and styles. Many of them were spray painted around the lobby as well, but the true message was in the piece standing before her. Biting her lip she steps forward and writes four letters larger than the rest on the front wall above the door. GOKU.]
… You ready? [he keeps his eye on her, even while one finger rests on the ‘play’ button of his precious stereo. tonight’s just as much her show as it is his, after all. he’s got a book cradled in his free hand, already open to a page]
[With one final look at the walls she grabs the ladder and shoves it off to one side before moving over to Mark. She nods, wrapping an arm around his waist.] Ready if you are.
[he nods, then mashes the button. instead of Leonard Cohen, you get a surprisingly peppy score piped over the paper airwaves … and he starts to read.]
"You need fuel, gas, something to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival.
All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way."
[Mark sighs, shuts the book with an audible ‘paf’ of paper, and sets it aside] ... Sound familiar, folks? A guy named Ray Bradbury wrote that, thirty years before they made me read it in my freshman year of high school. I think he knew what the fuck he was talking about. So I hope you all enjoyed your fried whatever-the-hell, and your trip around the carousel, and your dart games, because as fun as all that was - we all pay for it eventually. Maybe not you, maybe not me - but someone we love gets kicked out without even so much as a "thanks for all the fish". And tonight, we’re gonna show you exactly what we think of all that.
This place cares about as much about those of us who live here as carnies care about the idiots who pay two bucks to throw a dart at an under inflated balloon. It keeps us here until what? It loses interest? We stop entertaining it? We kowtow and let it get away with whatever the fuck it wants? [She pauses, taking a breath.] I heard another story not too long ago. Seems that once upon a time everyone got together and tore this thing to the ground. We might not be able to do that... but we can do the next best thing. So if you’re as tired of this shit as we are - if you’ve lost a friend - come outside and join the party.
[Mark picks up a bottle of lighter fluid off the DJ table and spins it like a bartender with a bottle of vodka, as the music fades and shifts. he’s timed tonight’s playlist to be mellow and introspective at first, but in a few minutes, once Nora tosses on a match and the flames really start to catch, it’ll kick up and start sounding like proper music for an anarchic, screw-the-system bonfire. come on down … or yell at the dumb kids to get off your lawn. if it’s too loud, you’re all too old]
Nora’s skirts swish around her legs as she skips around the 7 foot tall scale model of the castle they’d built out of busted furniture and papier-mache. She pauses in her circling to regard it with a measured eye. She’d painted it stone gray with the stonework accented in places along the walls. The most glaring addition to the outside of the structure, however, are the names. Nora had carefully written every name of a resident she’d seen announced in the journal as missing from the castle. They cover every inch of the walls in varying colors and styles. Many of them were spray painted around the lobby as well, but the true message was in the piece standing before her. Biting her lip she steps forward and writes four letters larger than the rest on the front wall above the door. GOKU.]
… You ready? [he keeps his eye on her, even while one finger rests on the ‘play’ button of his precious stereo. tonight’s just as much her show as it is his, after all. he’s got a book cradled in his free hand, already open to a page]
[With one final look at the walls she grabs the ladder and shoves it off to one side before moving over to Mark. She nods, wrapping an arm around his waist.] Ready if you are.
[he nods, then mashes the button. instead of Leonard Cohen, you get a surprisingly peppy score piped over the paper airwaves … and he starts to read.]
"You need fuel, gas, something to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival.
All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way."
[Mark sighs, shuts the book with an audible ‘paf’ of paper, and sets it aside] ... Sound familiar, folks? A guy named Ray Bradbury wrote that, thirty years before they made me read it in my freshman year of high school. I think he knew what the fuck he was talking about. So I hope you all enjoyed your fried whatever-the-hell, and your trip around the carousel, and your dart games, because as fun as all that was - we all pay for it eventually. Maybe not you, maybe not me - but someone we love gets kicked out without even so much as a "thanks for all the fish". And tonight, we’re gonna show you exactly what we think of all that.
This place cares about as much about those of us who live here as carnies care about the idiots who pay two bucks to throw a dart at an under inflated balloon. It keeps us here until what? It loses interest? We stop entertaining it? We kowtow and let it get away with whatever the fuck it wants? [She pauses, taking a breath.] I heard another story not too long ago. Seems that once upon a time everyone got together and tore this thing to the ground. We might not be able to do that... but we can do the next best thing. So if you’re as tired of this shit as we are - if you’ve lost a friend - come outside and join the party.
[Mark picks up a bottle of lighter fluid off the DJ table and spins it like a bartender with a bottle of vodka, as the music fades and shifts. he’s timed tonight’s playlist to be mellow and introspective at first, but in a few minutes, once Nora tosses on a match and the flames really start to catch, it’ll kick up and start sounding like proper music for an anarchic, screw-the-system bonfire. come on down … or yell at the dumb kids to get off your lawn. if it’s too loud, you’re all too old]

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... Think we'll get any company?
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I'd be even more disappointed in the people here if no one came.
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I like the way you think.
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Feelin' better?
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Yeah. Yeah I am. You?
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Is that supposed to be the castle?
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Yep...
[he would elaborate but um
yeah
WOLF]
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Uh yeah we made it ourselves.
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She's a direwolf so she's not a normal wolf. She lives in the far north where it's always cold so she doesn't like fire. She's harmless unless you get too close to her. Or she's really hungry. But I keep her well-fed so she won't eat anyone.
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We're not gonna let her catch fire, so I guess we're even, yeah?
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Does she have a name?
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Dictated
Ow! What the hell?!
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Whatsamatter, Zelos?
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Music, assholes! Turn it down!
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Ooooo Mark it sounds like Zelos is mad at us or something.
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Yeah, seriously, go figure.
[he's ... only going to marginally turn it down, though, bro. sorry. the fact that he even does at all speaks volumes for what he thinks of you, though.
get it. volumes]
1/2
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She looks at Mark, confused]
Hearing like yours? What are you talking about?
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